ENBW
Directed by Hauke Hilberg
DP
Nick Morris
CLIENT
BWGTBLD
For a client like EnBW - a company built on energy - it made perfect sense to go full throttle on this VFX-heavy concept. What followed was an electrifying ride packed with 3D, AI, slick transitions, and just about every kind of VFX you can imagine - all carefully crafted to match a bold creative vision.
ALDI
Directed by Andzej Gavriss
DP
Bob Richardson
CLIENT
LeBerg
Shot by a crew that clearly knows how to create beautiful images - and still, we ended up doing VFX in over 40 shots, with the main goal of preserving the authenticity. A meaningful film that went viral with millions of views across social media. Thanks for having us - it was a pleasure to be part of it.
LVM
Directed by Christian Schillin
DP
Tim Weskamp
CLIENT
Sterntag
Sometimes, you get the first edit and just know - this one’s going to be fun. That was the case with LVM. There’s more VFX in these films than you’d expect - from AI and 3D to classic compositing tricks. But beyond the craft, it’s simply a great story with just the right amount of fun to make it a joy to watch.
YES WE CAN!CER
Directed by Alex Kühn
DP
Nico Schrenk
CLIENT
Tempomedia
Strict data privacy laws can prevent doctors from sharing critical information - and that can cost lives. We developed a visual effect that initially makes the viewer believe they’re looking at a famous piece of art - only to realize they’re witnessing a cancer patient in a doctor’s office. Just as misleading as the laws themselves. A bold, gold-winning idea that touched hearts around the globe. Grateful to help bring such an important message to light.
MERCEDES
Directed by Eugen Merher
DP
Mortimer Hochberg
CLIENT
Tempomedia
The moment we saw the first cut, ‘Dreamer’ was stuck in everyone’s head - and the film in everyone’s hearts. International markets loved it too, which led to hundreds of tailored assets across the globe. Behind the scenes? Invisible VFX in almost every shot, keeping the magic real.
VIRGINIA LOTTERY
Directed by Sam Washington
DP
Federico
Cantini
CLIENT
The Branching
We teamed up with Sam Washington to craft every frame with intent - designing the visual language shot by shot. From motion control planning to on-set supervision, we locked in precision from day one. What followed was a high-speed, high-trust sprint: full post, all VFX and CGI, wrapped in under a week.
PARSHIP
Directed by Annegret von Feiertag
DP
Fritz Butze
CLIENT
27km
27km thankfully brought us on board early - from technical support on set with Annegret to compositing some of the AI-enhanced shots and helping shape this unseen kind of AI magic.
TELEKOM
Directed by Sergej Moya
DP
Armin Franzen
CLIENT
Tempomedia / Supercontinent
A lot of us are parents, so the concept resonated instantly. We handled the VFX, CGI, and online postproduction, while the impressive deepfake work was led by Denis Leonov. It was an intense project, but one that turned out beautifully, winning awards around the globe - including a Gold Lion in Cannes. Millions watched it across all platforms, and it even made its way onto several U.S. TV shows.
VIRGINIA LOTTERY
Directed by Lucas Krost
DP
Kai Saul
CLIENT
The Branching
Together with the awesome crew at The Branching, we mapped out the whole storyboard - from early previs to ghost development and everything in between. With smooth motion control on set (yep, we had a hand in that too), we created this winter wonderland. Boo-yah!
OPEL
Directed by Leila & Damien De Blinkk
DP
Franz Lustig
CLIENT
Cobblestone
We jumped on board for an international Opel campaign, delivering 3D, 2D, compositing, and online magic across tons of assets. A sleek production shaped by close collaboration - where the devil, of course, was in the details.
FUNNY-FRISCH
CLIENT
Production Friends
Creating food in 3D is always a challenge. We used our photogrammetry setup to capture real food and turn it into 3D elements, brought to life in a simple yet effective way. Over the course of a year, we kept producing more and more assets. What started as a single project turned into a year-long feast of creative work.
BMW
Directed by Jens Wirtzfeld
DP
Jens Wirtzfeld
CLIENT
Sterntag
We navigated a wild mix of eight different cameras to capture all those dynamic angles from on Set to final delivery. No friction zones, just full-speed energy to deliver a massive amount of assets right on time. And if you don’t see our magic in the frame, that just means we did it right.
BEIERSDORF
Directed by Eugen Merher
DP
Mortimer Hochberg
CLIENT
Tempomedia
Stunning visuals deserved just the right grade and a smooth VFX and online pipeline by us to let this meaningful story shine. It resonated globally - earning recognition from juries across the world. Its worth watching.
MEDIA MARKT
Directed by Lars Timmermann
DP
Pierre Castillo Bernad
CLIENT
Tempomedia
Beyond all the visual trickery, the real challenge was uniting MediaMarkt and Saturn - two brands that belong together but live in opposite color worlds. That meant lots of recoloring, countless versions, and multiple language deliveries. A fun, fast-moving project that definitely kept us on our toes.
Too many to list, but you get the vibe.